Data di Pubblicazione:
2023
Abstract:
The present article examines K. Stockhausen’s Stimmung (1968) as an example of intuitive
music, a concept that the composer developed during the 1960s to describe his
own performer-focused compositions. Stimmung is also part of the “new tradition” that
Stockhausen referred to as “aural” in 1971, which is transmitted through the ears and
based on direct experience with sounds. The term Stimmung has multiple meanings and is
difficult to translate, but for Stockhausen it specifically signifies tuning. Lastly, the article
considers some composition’s atmospherological quality in relation to concepts borrowed
from New Phenomenology.
music, a concept that the composer developed during the 1960s to describe his
own performer-focused compositions. Stimmung is also part of the “new tradition” that
Stockhausen referred to as “aural” in 1971, which is transmitted through the ears and
based on direct experience with sounds. The term Stimmung has multiple meanings and is
difficult to translate, but for Stockhausen it specifically signifies tuning. Lastly, the article
considers some composition’s atmospherological quality in relation to concepts borrowed
from New Phenomenology.
Tipologia CRIS:
1.1 Articolo in rivista
Keywords:
Atmosphere, intuitive Musik, Musical Process, Sensible Image, Stimmung, Karlheinz Stockhausen.
Elenco autori:
Pangrazi, T.
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