L’IMMAGINE DELLA DONNA, DELL’ISTERIA E DELL’AMORE RIVOLUZIONARIO IN ROMANIA A PARTIRE DALL’OPERA GIOVANILE DI GHERASIM LUCA E DI EMIL CIORAN

The article analyses the reactions of Gherasim Luca and Emil Cioran to Otto Weininger’s Sex and Character. Cioran shares the theses of Weininger about love and sexual difference; Luca, instead, subverts their logic dialectically to show that the failure of the assimilation to the Symbolic Order is the creative moment of subjectivity.