54
Critica letteraria e letterature comparate
UNIVERSITÀ DEGLI STUDI DI NAPOLI "L'ORIENTALE"
Dati Generali
Periodo di attività
Syllabus
Obiettivi Formativi
1)Knowledge and understanding
Attending this class, students will understand and reflect on some recent trends in comparative literature, literary theory, media studies, and related fields, and will do so through a “glocal”, transcultural perspective.
After this class, students will have acquired, elaborated on, and consolidated: 1)interdisciplinary critical instruments; 2)the related critical/cultural vocabulary and structures of expression.
2)Applied knowledge and understanding
At the end of this class, students will be able to apply the critical and theoretical instruments and critical vocabulary they have consolidated to: 1)specific case studies proposed by the teacher; 2)materials and creative items proposed by themselves, during classes and/or for the final exam. In both cases, the textual/creative objects will be from a plurality of cultural contexts, and students will apply their critical tools while at the same time testing their cross-cultural feasibility.
Literary texts, and other forms of creative/artistic expression, will be discussed in their articulateness and complexity, as well as in their relation to both cultural specificity and the increasing existence of an integrated, worldwide cultural sphere. Specific attention will be devoted to literature as part of a worldwide web of interconnected media, nowadays inevitably shaped by digitization.
Additional Goals:
3)Autonomy / Making Judgments
Students will learn how to select, position, and assess individual cultural/literary items from various context against the background of a consciously articulated critical framework. They will be required to propose a broad and complex critical framework for their readings, emphasizing both commonalties and differences, both cultural transits and cultural barriers.
4)Communication Skills
Students will learn to articulate their points of view, and to build dialogical spaces which connect texts and contexts cross-culturally – in an academic discourse environment, a hypothetical professional context, and beyond.
5)Learning Skills
Students will be involved in a self-evaluation process and will be encouraged to become self-conscious in their process of acquisition of advanced critical categories and concepts. Such acquisition and awareness will boost their ability to tackle, in the long run, literature, other media, and culture in general as complex phenomena at the crossroads of different languages and experiences, in the present as well as in future directions. Students will eventually develop awareness of their actual and potential role in the transmission of knowledge, culturally and interculturally.
Prerequisiti
Metodi didattici
Verifica Apprendimento
Evaluation is based on an oral examination, which will be articulated in a twofold manner: a) a discussion of selected theoretical and/or methodological topics from the course; b) a related discussion of the literary / medial materials that the examinee has worked on as case studies.
Following this structure, the examiner(s) will assess: a) the degree of precision and confidence in discussing the relevant theoretical and analytical categories; b) the degree of ability, critical insight, autonomy, and articulateness in applying the relevant theoretical and analytical categories to the literary / medial materials discussed.
Final assessment will be given on a 30-point scale (minimum passing grade is 18/30).
The final exam will be in English.
Testi
Argumentative materials (essays)
Walter Benjamin (1940) Über den Begriff der Geschichte (On the Concept of History)
Jacques Derrida (1991) Donner le temps I – La fausse monnaie (Given Time I – Counterfeit Money) (excerpts)
David Damrosch (2008) Toward a History of World Literature
Shu-mei Shih (2015) World Studies and Relational Comparison
Pheng Cheah (2016) What Is a World? On Postcolonial Literature as World Literature (excerpts)
Alice Bell and Marie Laure Ryan, eds. (2019) Possible Worlds Theory and Contemporary Narratology (excerpts)
Mads Rosendahl Thomsen (2020) Media and Method: The Digitized Library of Babel, in Literature and the World, eds. Stefan Helgesson and Mads Rosendahl Thomsen
Song Mingwei (2022) The Worlding of Chinese Science Fiction: A Global Genre and Its Negotiations as World Literature, in The Making of Chinese-Sinophone Literatures as World Literature, eds. Kuei-fen Chiu and Yingjin Zhang
Creative materials
Jorge Luis Borges (1944) Ficciones (Fictions) [short stories collection]
Michael Joyce (1996) Twelve Blue [hypertext fiction]
Michael Ondaatje (2007) Divisadero [novel]
韩松 Han Song (2011) 地铁 Ditie (Subway) [novel]
Ruth Ozeki (2013) A Tale for the Time Being [novel]
张冉 Zhang Ran (2014) 晋阳三尺雪 Jinyang san chi xue (The three chi of snow of Jinyang) [novella]
Chandler Groover (2015) Midnight. Swordfight. [interactive fiction]
郝景芳 Hao Jingfang (2016) 北京折叠 Beijing zhedie (Folding Beijng) [novella]
David Lynch and Mark Frost (1989-2017) Twin Peaks [tv series]
Ted Chiang (2019) Exhalation [short stories collection]
Several course materials (including most of the essays) are currently open access and/or available from Orientale libraries or with an Orientale student account. Some others will be provided. For materials in languages other than English, they can be read in the original or in English translation. More details will be given during the course.
For the final exam, each student will select their own “path”, combining the argumentative reference materials with three creative materials of their choice, according to their own preferences and interests. Students select the three creative materials from the course list; if they wish, they can ask for one of the three to be replaced by a work proposed by them. Such proposal must be submitted and approved by the course instructor at least two weeks before the exam.
Any changes or updates to the course reference materials will be announced during classes and on the course’s virtual spaces.
Contenuti
Keys to Past Rooms and Messages in Bottles: World Literature, History, and the Labyrinth
1. World Literature, Time, and History
2. Local and Global Dimensions of (Cultural) History
3. Possible Worlds of Fiction and (Cultural) History
4. The Digital Unconscious
5. World Literature in/as the Labyrinth
6. Zooming In: Dyschronicities and Hauntings in Chinese Futurality
Studies of world literature frequently – uneasily – grapple with issues of temporality and historicity. This happens both because of the difficulty to conceive of historical events and transformation on a global scale; and because of the existence of established traditions of literary history, which tend to have a “vertical” approach, highlighting the local context and privileging certain figures, genres, passages, nodes, while downplaying or obscuring others, favoring a local or even national perspective over a worldwide, comparative one.
In an attempt to grapple with such issues productively – preserving the importance of specific contexts in dialectics with a worldly perspective which does not wish to renunciate the longue durée – this course will put together a reflection on (world) literature as labyrinth, both in a spatial (geocultural) and temporal (historical) sense. This entails conceiving of world literature as a site of ongoing construction and problematization of cultural history, as well as one suspended between uniformity and divergence, determination and freedom, closure and possibility. To this aim, it will combine different materials and sources, both argumentative and creative. On the one hand, it will discuss recent studies on world literature and possible worlds theories against the backdrop of Walter Benjamin’s On the Concept of History and Jacques Derrida’s Given Time. On the other hand, it will analyze creative works in various media (writing both paper- and digital-based: short stories, novels, interactive fiction; and a tv series) which thematically and/or formally display labyrinthic structures: branching, loops, alternate realities, world or time travel, etc.
Lingua Insegnamento
Altre informazioni
The main virtual space of the course will be created and handled via Microsoft Teams, with relevant information shared at the beginning of classes.