Dancing Migration, Making Sound: Mediterranean Practices of Listening and Hospitality

The tragedies taking place within the waters of the Mediterranean, and the simultaneous reassessment of social and cultural politics inside Europe, call for our attention as scholars, and as art practitioners in the region. I will traverse this area to discuss some choreographic experimentations dealing with migration issues, and to prove how acts of listening in performance can emerge out of a racist narrative, allowing practices of corporeal hospitality to be envisioned. The sonic dimension is here perceived as the sharing of an event that occurs in the body, and among the bodies, and reverberates in multiple dimensions and directions. At the crossroads of post-colonial and performance studies, this article engages with listening as a political and creative act for both engendering and perceiving alternative ways of choreographing hospitality in the Mediterranean area.