Correnti ermeneutiche sul problema della ritrattistica in Asia Meridionale

The study outlines the main hermeneutical positions that have emerged within the scholarship on Mughal portraiture and its relation to European art. A special focus on the Darbar of Jahangir (MFA Boston) is applied. In conclusion, the study presents a research perspective on the artistic commensurability between the early Humanist tradition and Mughal painting.