Data di Pubblicazione:
2026
Abstract:
The article presents an unpublished altarpiece by Bernardo Castello housed in the canon’s residence of the Basilica of San Michele Arcangelo in Piano di Sorrento, a Virgin of Souls in Purgatory with Saints
Charles Borromeo, Margaret of Antioch and Michael the Archangel. While the attribution to Castello, one of the protagonists of Ligurian art of the decades around 1600, is based on precise comparisons with
contemporary works and a preparatory drawing, a reading of pastoral visits makes it possible to reconstruct the painting’s original context and date its execution to the mid-1610s. The canvas can thus be included in the already substantial group of works by non-local artists present since early times in the small town on the Sorrento coast, especially associated with the patronage of the local entrepreneurial class.
Charles Borromeo, Margaret of Antioch and Michael the Archangel. While the attribution to Castello, one of the protagonists of Ligurian art of the decades around 1600, is based on precise comparisons with
contemporary works and a preparatory drawing, a reading of pastoral visits makes it possible to reconstruct the painting’s original context and date its execution to the mid-1610s. The canvas can thus be included in the already substantial group of works by non-local artists present since early times in the small town on the Sorrento coast, especially associated with the patronage of the local entrepreneurial class.
Tipologia CRIS:
1.1 Articolo in rivista
Keywords:
Bernardo Castello; Ligurian painting; seventeenth century; altarpiece; Piano di Sorrento; patronage
Elenco autori:
Porzio, Giuseppe
Link alla scheda completa:
Pubblicato in: